Road to film and broadcast content regulation: KCFB’s proposed co-regulation framework and issues raised
The Kenya Film Classification Board seeks to assess the regulatory framework of the broadcast and Over The Top (OTT) and Video on Demand (VOD) in the country with a view to implement a co-regulation framework in a bid to ease business as well as create a conducive regulatory environment for broadcasters in the country.
The Board states that they have a challenge examining their thematic areas across all audio-visual content in over 3,600 movies and over 18,000 television shows and all this has to be done within a 24 hour turn-around period. To accomplish this, the Board benchmarked with other jurisdictions globally and established that countries have adopted various forms of media regulation models with regard to already existing media systems and leadership styles. These regulation models include but are not limited to:
- State regulation;
- Co-regulation and
- Self-Regulation.
The most popular form of regulation, especially in countries with advanced media landscapes according to the Board, is co-regulation with countries such as Australia, South Africa and Britain having embraced it as their preferred model.
KFCB’s Justification for Co-Regulation
Kenya has witnessed a rapid increase in internet penetration with levels rising from 16.4% in 2014 to 45.7% in 2018. This migration, coupled with the high level of internet penetration in the country has resulted in an unprecedented increase in content production and content distribution platforms.
At the moment, leading Kenyan broadcasters put out an average of 700 minutes of content on a daily basis. And at any one time, there are an average of 3,600 movies and 18,000 TV shows on Netflix, one of the country’s most popular VOD platforms.
The Board currently has employed eight film examination officers as well as 10 co-opted film examiners who are tasked with the responsibility of classifying films. This means that the Board can only examine and classify a maximum of 720 minutes of content per day which translates to an average of six films of feature length. This is a minute percentage compared to the huge amount of content aired across the airwaves every single day.
Since the Board may not be able to examine and classify all broadcast and VOD content, they believe there is a need to develop a realistic and pragmatic regulatory framework to enhance compliance statutory obligations for classification.
The proposed Co-Regulation Framework will be aligned to the Board’s Film Classification Guidelines and shall be implemented as follows:
- A random sample and selection of 30% of Audio-visual content from Broadcasters program line-up by the Board. The Broadcaster shall then submit the selected content that shall include all foreign content, music videos and commercials to the Board for Classification. The remaining 70% of the audio-visual content shall be self-classified by the applicable entity.
- Before issuing the broadcasters with the Film Classification Guidelines, the Board shall train all the broadcasters on the classification procedures at a fee of Kshs 5,000 per trainee or a corporate rate of Kshs 50,000 for applicable entities as defined in the Proposed Co-Regulation Framework.
Issues
Civil society groups have raised concerns that the framework introduces limitations to the freedom of expression that are not contained in the Constitution. They accuse the Classification Board of trying to regulate morality through the framework.
Industry players on the other hand have raised concerns that there is lack of congruence between KFCB and other regulators such as the Communications Authority of Kenya in child protection efforts. This has led to duplicity of efforts to regulate online content leading to confusion and over regulation of the sector. These efforts are likely to lead to the suffocation of the sector and stifle growth.
And as KFCB calls for comments, they need to take care of their approach in this process. Many countries have hesitated to implement plans to regulate OTT and VOD services. Kenya should not rush as it is a very young industry and players in Kenya already comply with child safety guidelines.